National Imagination(国家想象)研究综述
National Imagination 国家想象 - World War II was a turning point in the construction of discourse about Portugal disseminated by North-American audiovisual fiction and, by extension, in the way mass culture inscribed this country in international imagination during the Estado Novo regime. [1] The environment has long figured into local and international imaginations of Africa—whether as part of colonial naturalizing. [2] Its effectiveness in producing a ‘myth’ of Sfakia is examined as a frame that constructs the area in national imagination and creates expectations that locals conform to a version of locality articulated by the centres of power. [3] EnglishThis paper makes a review of the main mechanisms used by Pedro Lemebel in his first books of chronicles, to make visible a marginal and subversive identity that is contesting the ownership of the national imagination in Chilean literature. [4] The Filipino diaspora has indeed remained alive in the national imagination through media representation (Lejano, (Un)packing the balikbayan box: images of the returnee in three contemporary Filipino movies. [5] Recent releases perform national cultural work at a time when the demons of Southern history have come back to haunt the national imagination, as recent events such as the shooting at Immanuel church (June 2015) and Charlottesville (October 2017) have tragically shown. [6] An analysis of the reception of the premiere of Harris’s break-through first symphony, the Symphony 1933, reveals a constellation of ideological processes by which the biographical myth-making around musical figures negotiates the gap between individual and collective identities in the national imagination. [7] The article is cognizant of Annie Gagiano's views that recent African female authors' novels have gained prominence in tackling national(ist) issues through their imagination of the nation with moral profundity and historical force, placing the women themselves at the centre of this national imagination. [8] Films are integral to national imagination. [9]第二次世界大战是北美视听小说传播的关于葡萄牙的话语构建的转折点，进而，大众文化在 Estado Novo 政权期间将这个国家铭刻在国际想象中的方式。 [1] 环境早已成为当地和国际对非洲的想象——无论是作为殖民归化的一部分。 [2] 它在产生斯法基亚“神话”方面的有效性被视为一个框架，该框架在国家想象中构建了该地区，并创造了当地人符合权力中心所表达的地方版本的期望。 [3] 本文回顾了佩德罗·莱梅贝尔在他的第一部编年史书中使用的主要机制，以使在智利文学中挑战国家想象力所有权的边缘和颠覆性身份清晰可见。 [4] 菲律宾侨民确实通过媒体表现在国家想象中保持活力（Lejano，（Un）包装balikbayan盒子：三部当代菲律宾电影中的回归者形象。 [5] 最近的版本在南方历史的恶魔卷土重来困扰着国家的想象之际进行了国家文化工作，因为最近发生的事件，如伊曼纽尔教堂（2015 年 6 月）和夏洛茨维尔（2017 年 10 月）的枪击事件都悲剧性地表明了这一点。 [6] 对哈里斯突破性的第一交响曲《1933 年交响曲》首演的接受情况的分析揭示了一系列意识形态过程，围绕音乐人物的传记神话创造通过这些过程来协商国家想象中个人和集体身份之间的差距。 [7] 这篇文章认识到安妮·加吉亚诺的观点，即最近的非洲女性作家的小说在解决民族（主义）问题方面取得了突出地位，通过她们对民族的想象，具有深刻的道德和历史力量，将女性自己置于这种民族想象的中心。 [8] 电影是国民想象力不可或缺的一部分。 [9]