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Folk Dance sentence examples within Traditional Folk Dance



РИТУАЛЬНО-ТАНЦЕВАЛЬНЫЕ ЭЛЕМЕНТЫ В АЗЕРБАЙДЖАНСКОМ ЭПОСЕ И В НАХЧЫВАНСКОМ ОБРЯДОВОМ ФОЛЬКЛОРЕ



Principal aportación de Juan José Linares Martiañez a la danza tradicional popular


Folk Dance sentence examples within Chinese Folk Dance



How Teacher Can Develop Children’s Creativity through Facilitating Possibility Thinking in Chinese Folk Dance Classroom



A Study on the Reconstruction of Chinese Folk Dance Culture’s Education Path in Colleges Based on Information Technology


Folk Dance sentence examples within Professional Folk Dance



Relationship of Patellofemoral Angles and Tibiofemoral Rotational Angles With Jumper’s Knee in Professional Dancers: An MRI Analysis



Relationship of Popliteus Sulcus Depth and Tibiofemoral Rotational Alignment with Popliteus Tendinitis in Professional Folk Dancers Exposed to Turnout Positions: An MRI Analysis.



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Folk Dance sentence examples within Philippine Folk Dance



Filipino Festivals in Southern California



Movement Analysis of Philippine Folk Dance Itik-itik


Folk Dance sentence examples within folk dance ensemble



ТВОРЧІСТЬ ВИКЛАДАЧІВ-ХОРЕОГРАФІВ ТЕРЕБОВЛЯНСЬКОГО КУЛЬТОСВІТНЬОГО УЧИЛИЩА АНАТОЛІЯ ТА ОЛЕКСАНДРИ ПОЛІЩУКІВ



FOLKLORE, DANCE IN THE CONTEXT OF MODELING IDEOLOGICAL MESSAGES


Folk Dance sentence examples within folk dance group



Long live Peru! Dancing national identity in a hostile context in the U.S.



Evaluating Dancers’ Participation Motives: The Use of the Greek Version of the BRSQ


Folk Dance sentence examples within folk dance culture



UKRAINIAN DANCE CULTURE IN GEOGRAPHICAL AND ETHNOLOGICAL CONCERN ETHNOCHOREOGRAPHIC FRONTS



The Line Dance Movement and Folk Dance Culture Evolution Model Based on Ultra-Gradient Fuzzy Rules


Folk Dance sentence examples within folk dance politic



Az autentikusság paradoxona



The Paradox of Authenticity


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10.5897/JMD2020.0082

Examining The book: How perception, power, and practice altered memory of Irish Ceili dances


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10.20323/1813-145X-2021-1-118-189-194

Folk dance: the problem of definition, demarcation and historical transformation


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10.37547/TAJSSEI/VOLUME03ISSUE01-73

Folk Games As A Means Of Personal Formation In The Ancient System Of Education


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10.26677/TR1010.2021.678

Somut Olmayan Kültürel Miras Unsuru Olarak Pamukçu Beldesi Oyunları


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10.26577/jh.2021.v101.i2.03

Research on the social function of Kazakh Folk Dance in the process of spatial transformation (On the basis of Dachaigu village of Barkol Kazakh Autonomous District)


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10.0001/IJLLIS.V10I2.2172

COMPARATIVE ETHNOCHOREOGRAPHIC ASPECTS


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10.31618/ASJ.2707-9864.2021.1.47.82

CONNECTION BETWEEN DANCE PLASTICS AND RELIGION


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10.24115/S2446-622020217EXTRA-D1141P.582-592

Peculiarities of personality formation and creative education of children through folk dance


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10.3390/app11188789

Static Balancing Ability and Lower Body Kinematics Examination of Hungarian Folk Dancers: A Pilot Study Investigating the “Kalocsai Mars” Dance Sequence


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10.31947/etnosia.v6i2.14713

Performing Toraja rice ritual, communicating biodiversity on YouTube: A study of conservation on rice landrace


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10.37441/CEJER/2021/3/1/9346

Elementary Art School of Folk Dance and Music in the Context of Regional Culture-Oriented Schools in Slovakia


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10.15167/2421-4248/jpmh2021.62.2.1929

Reach, accessibility and acceptance of different communication channels for health promotion: a community-based analysis in Odisha, India


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10.46819/TN.2.1.73-89

Impact Assessment of a Methodological Program in Dance in Hungarian Public Education


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10.21474/IJAR01/12350

STUDENTS AWARENESS AND PERFORMANCE INPHILIPPINE FOLK DANCES


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10.30564/jhp.v3i1.2667

Maintaining the Health of Professional Folk Dancers in Conditions of Physical Recreation


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10.1007/s10465-021-09348-9

Marian Chace Foundation Lecture 2020 Trauma-Informed Dance Movement Therapy: Real Life Trainings with Syrian Refugees, China and US COVID-19 Hotline


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10.22190/FUPES200609060S

PHYSICAL EDUCATION AND MUSIC EDUCATION IN THE CONTEXT OF THE POSSIBILITY OF USING THE INTEGRATED LEARNING APPROACH AS A REFLECTION OF MODERN SOCIETY


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10.46819/TN.2.1.55-72

Egy táncművészeti módszertani program bevezetésének vizsgálata a közoktatásban


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10.25587//SVFU.2019.16.44324

КУЛЬТУРНАЯ ИНФОРМАЦИЯ В ГЕРОИЧЕСКОМ ЭПОСЕ ОЛОНХО «НЮРГУН БООТУР СТРЕМИТЕЛЬНЫЙ»


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10.21476/pp.2019.51269

Choreographies of Dissent and the Politics of Public Space in State-of-Emergency Turkey


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10.25145/J.PASOS.2019.17.032

XXIII Feria Nacional de la Cultural Rural, Chapingo (México) 2018


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10.2991/ECSS-19.2019.44

Research on the Inheritance Method of Minority Music and Dance Art based on Motion Capture Technology


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10.4236/OALIB.1105645

Research on How to Strengthen College Students’ Mastering of Skill Elements of Line Dance


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10.2991/iconarc-18.2019.70

Conservation of Folk Dance in the Era of Cultural Tourism


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10.2991/icemse-19.2019.16

Analysis of Characteristic Between-class Exercise Choreography in Primary School under the Background of Tibetan Dance Inheritance in Ganzi —A Case Study of Characteristic Between-class Exercise of Boarding Primary School in Guza District



Deconstructing the Past in Indonesian Contemporary Dance


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10.18231/j.jsip.2019.002

The effect of Garba dance of Gujarat on fitness components of young adult females


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10.34293/SIJASH.V7I1.485

Dance form of Karagattam - The Regional Folk Dance in Tamil Nadu


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10.1016/j.humov.2018.12.005

Multi-person and multisensory synchronization during group dancing.


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10.24919/2308-4634.2019.182372

СТАНОВЛЕННЯ УКРАЇНСЬКИХ ХОРЕОГРАФІЧНИХ ШКІЛ У КОНТЕКСТІ РОЗВИТКУ ЄВРОПЕЙСЬКОЇ ХУДОЖНЬОЇ КУЛЬТУРИ ПОЧАТКУ ХХ СТ.


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10.1007/978-3-030-18083-6_3

The Performing Body of Navratri: Dancing Dandiya, Dressing to Impress


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