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Organic Pig sentence examples within Synthetic Organic Pig



The synthesis characterization of historical novel azo pigments: implications for conservation science


Uncovering the illegible: multi-analytical approach to reveal paint stratigraphy of corroded signposts from the Auschwitz-Birkenau State Museum

Organic Pig sentence examples within organic pig production



Nematode parasite eggs in pasture soils and pigs on organic farms in Sweden


Genetic but not lean grade impact on growth, carcass traits and pork quality under organic husbandry


Study on application performance of oxidized polyethylene wax in powder coatings



Polyurethane-based bionic material simulating the Vis-NIR spectrum and thermal infrared properties of vegetation



UV-protection of cellulosic fabric prints using hyperbranched polyester-stabilized titania coating



Imaging secondary reaction products at the surface of Vermeer’s Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanning



Development of angle-independent color material using colloidal amorphous array



Laser ablation inductively coupled plasma mass spectrometry appointed to subserve pigment identification



Tattoo inks: Characterization and in vivo and in vitro toxicological evaluation.



A Study on the Making Properties of Natural Pigments based on Substance Characteristics for Hwangto in Korea



Size control of [email protected] pigments via soft mechano-chemistry assisted non-aqueous sol-gel method and their application in ceramic glaze



The concentration and origins of carboxylic acid groups in oil paint



Synthesis and Coloration Control of α-FeOOH Rods using Closed System



KAOLIN REFLECTANCE SPECTROSCOPY: USING PLS-R TO PREDICT CONTAMINANT CONTENT



IR Naked but Visibly Clothed



Deep color, heat-reflective, superhydrophobic and anti-soiling coatings with waterborne silicone emulsion



Surface enhanced Raman scattering of inorganic microcrystalline art pigments for systematic cultural heritage studies.



Inorganic pigments with transition metal chromophores at trigonal bipyramidal coordination: Y(In,Mn)O3 blues and beyond



In-situ technical study of modern paintings - Part 2: Imaging and spectroscopic analysis of zinc white in paintings from 1889 to 1940 by Alessandro Milesi (1856-1945).



Comprehensive Multi-Analytical Investigations on the Vietnamese lacquered Wall-Panel “The Return of the Hunters” by Jean Dunand



Formulation Studies for Surface Modification and Application to Cosmetics of Jadeite Powder



A new high-throughput method to make a quality control on tattoo inks.



Rational approach to synthesis low-cost BiVO4–ZnO complex inorganic pigment for energy efficient buildings



UVC photon-induced denaturing of DNA: A possible dissipative route to Archean enzyme-less replication



The grouping and assessment strategy for organic pigments (GRAPE): Scientific evidence to facilitate regulatory decision-making.



Illumination in Museums: Four-Primary White LEDs to Optimize the Protective Effect and Color Quality



On the Use of Bistre in Transparent Wood Varnishes: Analysis, Application and Reconstruction



Developing Noniridescent Structural Color on Flexible Substrates with High Bending Resistance.



Micro-XRF Investigation of Decoration Materials and Painting Techniques in Three 18th-19th Century Mosques in Berat, Albania



Personal account: Heinz Falk’s contributions to geosciences



The nanoGRAVUR framework to group (nano)materials for their occupational, consumer, environmental risks based on a harmonized set of material properties, applied to 34 case studies.



The versatile Co2+/Co3+ oxidation states in cobalt alumina spinel: how to design strong blue nanometric pigments for color electrophoretic display


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10.1103/physrevresearch.1.033081

Hierarchical approach to aggregate equilibria



A Hyperspectral Microscope based on an Ultrastable Common-Path Interferometer.



Methodological approach for in situ spectroscopic analysis of modern reverse paintings on glass: A case study of Kreuzabnahme (1914/15) - an outstanding example by Carlo Mense



Four-component, white LED with good colour quality and minimum damage to traditional Chinese paintings



Colouring of Pacific barkcloths: identification of the brown, red and yellow colourants used in the decoration of historic Pacific barkcloths


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