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10.25353/UBTR-IZFK-02B7-8F50

It discusses cross-genre explorations by a group of female poets, theater directors and artists who are all associated with the movement of ‘women’s poetry’ (nuxing shige) that emerged in the 1980s in China.

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10.1093/tcbh/hwab020

Women’s poetry was often disparaged, and few women contributed to the magazine.

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10.1093/res/hgab033

This essay posits that the production and reception of eighteenth-century women’s poetry was shaped by a pervasive cultural paradigm: the concept of the ‘feminine accomplishment’.

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10.15421/382117

Special attention is paid to the concept of women’s writing, modern theories of corporeality, sexuality and the problems of the body and the language, which have been considered as major features of women’s poetry in the second half of the 20th century.

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10.1080/00497878.2020.1865352

Cheryl Walker points out the ways that the myth of Philomela, turned into a nightingale by Tere3us, agonizingly sorrowful but unable to sing because tongueless, inflected American women’s poetry and women poets’ sense of their own projects in the eighteenth and nineteenth centuries.

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10.21659/rupkatha.v13n2.04

This paper is a close study of early modern women’s poetry on childbirth and the imminent circumstances of maternal and foetal/infantile mortality in seventeenth century England.

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Womens Poetry

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Jan 14, 2025

What is/are Womens Poetry?

Womens Poetry - It discusses cross-genre explorations by a group of female poets, theater directors and artists who are all associated with the movement of ‘women’s poetry’ (nuxing shige) that emerged in the 1980s in China. ^[1] Women’s poetry was often disparaged, and few women contributed to the magazine. ^[2] This essay posits that the production and reception of eighteenth-century women’s poetry was shaped by a pervasive cultural paradigm: the concept of the ‘feminine accomplishment’. ^[3] Special attention is paid to the concept of women’s writing, modern theories of corporeality, sexuality and the problems of the body and the language, which have been considered as major features of women’s poetry in the second half of the 20th century. ^[4] Cheryl Walker points out the ways that the myth of Philomela, turned into a nightingale by Tere3us, agonizingly sorrowful but unable to sing because tongueless, inflected American women’s poetry and women poets’ sense of their own projects in the eighteenth and nineteenth centuries. ^[5] This paper is a close study of early modern women’s poetry on childbirth and the imminent circumstances of maternal and foetal/infantile mortality in seventeenth century England. ^[6]