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Jan Miense Molenaer’s early card players and the peasant heads after Pieter Bruegel the elder



A Critical Study of the Relationship between the Art of Surrealism and Truth According to Heidegger


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10.1215/07990537-8912768

Making History Visible


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10.1016/j.jasrep.2021.103108

Multi-analytical identification of a painting workshop at the Roman archaeological site of Bilbilis (Saragossa, Spain)


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10.1080/19475683.2021.1966502

Geography as a science of the earth’s surface founded on the third view of space


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10.5092/JHNA.2021.13.1.3

Learned Fable, Living World: Artistry, Knowledge and Attention to Nature in Two Aesopic Paintings by Joannes Fyt


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10.26512/AGUAVIVA.V6I2.32719

CONTEMPLAÇÃO INTERPRETATIVA DAS CRIAÇÕES DAS PAISAGENS IMPRESSIONISTAS EM VERDE VAGOMUNDO: UMA APROXIMAÇÃO ENTRE BENEDICTO MONTEIRO, CLAUDE MONET E VAN GOGH


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10.1093/humrep/deab130.028

P–029 Identification of spermatozoa by unsupervised learning from video data


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10.1186/s40494-021-00575-4

Towards building a Cathodoluminescence (CL) database for pigments: characterization of white pigments


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10.1021/acs.analchem.0c04471

Time-of-Flight Secondary Ion Mass Spectrometry Imaging of Cross Sections from the Bacchanals Paintings of Nicolas Poussin.


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10.1080/00233609.2021.1873414

Jan Miense Molenaer’s early card players and the peasant heads after Pieter Bruegel the elder


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10.1007/s10339-021-01022-9

The art gallery maze: a novel tool to assess human navigational abilities.


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10.22034/JPIUT.2021.46172.2834

A Critical Study of the Relationship between the Art of Surrealism and Truth According to Heidegger


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10.12654/jcs.2021.37.4.02

From Paris and Shanghai to Singapore: A Multidisciplinary Study in Evaluating the Provenance and Dating of Two of Liu Kang’s Paintings


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10.1080/01971360.2019.1589001

JAIC special issue on “Reflectance hyperspectral imaging to support documentation and conservation of 2D artworks”


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10.1186/s40494-019-0287-5

Whitish haze, soapy globules: micro-analysis of degraded burmese paintings on zinc supports


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10.1109/VR.2019.8798101

Mixed Reality in Art Education


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10.1007/978-3-030-25763-7_5

Robotized Line-Scan Thermographic Mid-Wave Infrared Vision for Artwork Inspection: A Study on Famous Mock-Ups


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10.37935/AION.V0I9.251

AN ACCOUNT OF MICHAEL FRIED’S GROUP DISCUSSION WITH FLUL’S PHD STUDENTS FROM ART HISTORY AND THEORY OF LITERATURE



A Raman microspectroscopy-based comparison of pigments applied in two gothic wall paintings in Slovenia


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10.4000/interfaces.659

The mathematician, the Surrealist, and the poet are of imagination all compact: Man Ray’s Shakespearean Equations


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10.1145/3325291.3325365

A Proposal for Subjective Evaluation Method in Small Sample using Visual Analog Scale


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10.1140/epjp/i2019-12752-5

A multi-analytical approach for the characterisation of 20th century paintings


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10.1353/ect.2019.0001

A Little Medicine and Magic


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10.1080/14490854.2019.1670076

‘Up on our luck?’


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10.1186/s40494-019-0268-8

Kandinsky’s fragile art: a multidisciplinary investigation of four early reverse glass paintings (1911–1914) by Wassily Kandinsky


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10.1021/acs.analchem.9b00328

Transmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de Heem.


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10.1017/BRIMP.2019.25

The potential of a narrative and creative arts approach to enhance transition outcomes for Indigenous Australians following traumatic brain injury



Painting Music in the Sixteenth Century: Essays in Iconography


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10.26807/CAV.V0I07.161

Síntoma y pérdida en dos obras de Yishai Jusidman.


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10.1016/J.FORC.2019.100177

Analysis of the constituent materials of 19th century paintings attributed to Louis-Auguste Moreaux belonging to the Historical Museum of Santa Catarina – Florianópolis, Brazil


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10.1016/J.SAB.2019.04.006

Monte Carlo simulation of portable X-ray fluorescence setup: Non-invasive determination of gold leaf thickness in indo-Portuguese panel paintings


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10.11606/issn.2525-8354.v7i7p5-15

Casa/Cidade/Migrante


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10.5614/j.vad.2019.11.2.4

Nature and Modernity in Édouard Manet’s Le Déjeuner sur l’Herbe and William Holman Hunt’s The Awakening Conscience: a Comparative and Critical Reading


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10.1515/sem-2018-0042

Kenneth Waltz talks through Mark Rothko: Visual metaphors in the discipline of International Relations Theory


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10.12795/la.2019.i31.14

Dos retratos pictóricos de Pablo de Céspedes en Sevilla.


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