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Tonal Music sentence examples within Western Tonal Music



Mapping Tonal Hierarchy in the Brain



Hvordan kan kunnskap om tekstlesing og lese- og skriveopplæring i grunnskolen brukes i noteopplæring på nybegynnernivå?


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10.3390/brainsci11020159

Modifications in the Topological Structure of EEG Functional Connectivity Networks during Listening Tonal and Atonal Concert Music in Musicians and Non-Musicians


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10.26262/SMB.V1I2.7934

The Character of the Keys in the Music of the Classical and Romantic Period



Late Night Thoughts on Listening to Schoenberg’s Klavierstück, op. 33a


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10.1016/j.neuroscience.2021.03.019

Mapping Tonal Hierarchy in the Brain


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10.23865/NRME.V2.3026

Hvordan kan kunnskap om tekstlesing og lese- og skriveopplæring i grunnskolen brukes i noteopplæring på nybegynnernivå?



Implications for the Performance of the Music of Lee Hyla


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10.3390/languages6030132

The Melody of Speech: What the Melodic Perception of Speech Reveals about Language Performance and Musical Abilities


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10.26156/OM.2021.13.1.004

Bruce Mather and His Memories of Wyschnegradsky


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10.1145/3469013.3469021

The Path to the New Note: Interval Distributions in the Music of Anton Webern


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10.1145/3469013.3469022

Symbolic Encoding of Simultaneities: Re-designing the General Chord Type Representation


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10.26156/OM.2021.13.1.005

My Memories of Ivan Wyschnegradsky


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10.3389/fpsyg.2021.673706

Repetition and Aesthetic Judgment in Post-tonal Music for Large Ensemble and Orchestra


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10.31234/OSF.IO/Z4DQJ

Musical Aesthetic Sensitivity_Postprint


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10.1016/j.bandc.2021.105751

Predictive processing, cognitive control, and tonality stability of music: An fMRI study of chromatic harmony


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10.3389/fpsyg.2021.640409

Taqsīm as a Creative Musical Process in Arabic Music


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10.1177/13594575211034952

Book Review: Anna Chesner and Sissy Lykou (eds), Trauma in the Creative and Embodied Therapies: When Words Are Not Enough



»Schließlich waren alle Genies der Kunst immerhin doch Männer …«. Zum Geniebegriff bei Heinrich Schenker


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10.1101/2021.08.18.456640

Prediction Under Uncertainty: Dissociating Sensory from Cognitive Expectations in Highly Uncertain Musical Contexts


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10.2991/ASSEHR.K.210203.065

The Use of Fruity Loop Studio in Learning Tonal Music Concepts With Popular Music for High School Students



Using Formal Grammars as Musical Genome


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10.1016/j.brainres.2021.147664

Prediction Under Uncertainty: Dissociating Sensory from Cognitive Expectations in Highly Uncertain Musical Contexts


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10.1080/09298215.2021.1927116

Space, sonic trajectories and the perception of cadence in electroacoustic music


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10.1177/1747021818814472

Expectations for tonal cadences: Sensory and cognitive priming effects


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10.1177/0305735617736378

Continuous self-report engagement responses to the live performance of an atonal, post-serialist solo marimba work


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10.1145/3331543.3342586

Representing music with prefix trees


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10.13135/2384-8987/3294

ON THE METRIC OF FREE VERSE


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10.34064/khnum2-15.03

Composition and improvisation in the aspect of the music infl uence on the expressive structure of the fi lm


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10.3389/fnins.2019.00922

Pleasantness Ratings for Harmonic Intervals With Acoustic and Electric Hearing in Unilaterally Deaf Cochlear Implant Patients


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10.1007/978-3-030-21392-3_16

Distributional Analysis of n-Dimensional Feature Space for 7-Note Scales in 22-TET



Semidissonanzen: Ein Beitrag zur Didaktik der Harmonielehre


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10.1353/NOT.2019.0019

The Pro Arte Quartet: A Century of Musical Adventure on Two Continents by John W. Barker (review)


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10.3389/fnins.2018.00979

Atonal Music: Can Uncertainty Lead to Pleasure?


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10.20396/REMATE.V39I1.8654002

As agonias do poema: a confusão de estilemas da arte moderna na poética de Murilo Mendes



Dissonant endings of chord progressions elicit a larger ERAN than ambiguous endings in musicians.


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10.1016/J.SWEVO.2019.05.012

ChordAIS: An assistive system for the generation of chord progressions with an artificial immune system


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10.22533/AT.ED.8491912077

A ESCALA DUAL: DA AMBIGUIDADE MODAL À DUALIDADE EXPRESSIVA EM VIVALDI, BIZET E CHOSTAKÓVITCH



Melodies as Maximally Disordered Systems under Macroscopic Constraints with Musical Meaning


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10.1109/ICASSP.2019.8682293

Mid-level Chord Transition Features for Musical Style Analysis


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10.5072/ZENODO.498412

SIBILIM: A low-cost customizable wireless musical interface


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10.1177/2059204318816066

Musical Style Affects the Strength of Harmonic Expectancy


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10.1080/09298215.2019.1606833

Stylistic information in pitch-class distributions


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10.1007/978-3-030-05710-7_51

Proposal of an Annotation Method for Integrating Musical Technique Knowledge Using a GTTM Time-Span Tree


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10.3389/fpsyg.2019.00317

A Computational Model of Immanent Accent Salience in Tonal Music


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10.1007/978-3-030-21392-3_3

Groupoids and Wreath Products of Musical Transformations: A Categorical Approach from poly-Klumpenhouwer Networks



Decoding MEG responses to musical pitch reveals the dynamic emergence of tonal structure in human cortex


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