Introduction to Folk Music

In a long process of development, Chinese folk music continuously exudes attractive fragrance with its unique national characteristics and charms.

This work aimed to study the short- and long-term effects of listening to Chinese folk music on mathematical thinking skills.

In total, 9 currents like Fluxus and New Complexity, 3 styles like Claudio Monteverdi, 5 techniques like Spectral Music and Polymodality, 5 composers like Karlheinz Stockhausen and Guillaume de Machaut and 9 genres like Turkish Folk Music and Traditional Greek are reached.

Traditional replication and experiment-based handcrafting methods are predominant in the production of Turkish Folk Music wind instruments.

But our country's national folk music, as the most important carrier of the inheritance of national culture, in the actual teaching process, also has very important value and significance, therefore, in the piano teaching of colleges and universities, also must be fully combined with the teaching content of folk music, can make excellent national music culture in our country more and more into the piano teaching of the colleges and universities, To realize the continuous inheritance of our national culture.

National folk music has different styles, has extremely strong regional and national characteristics, and has a high cultural and artistic value.

During Ottoman invasion, especially during the 16th-17th century, oriental influence on Albanian folk music has been quite evident.

In last ten years Albanian artists have started to unite Albanian folk music and even modern one , music scales and colours with oriental instruments.

With the integration of customs and cultures of different ethnic groups in this urban area, the local folk music system has developed its distinctive musical context in terms of musical patterns, emotions or notions.

The Development Value of Olunchun Original Ecological Music Characteristic Course Local folk music culture curriculum is designed and developed by local colleges and universities according to the actual situation of local cultural resources to adapt to the development of students and promote the development of local society.

The DPRK developed national music through a homogenised musical style by assimilating Korean folk music with a western musical style while excluding traditional court music, with drastic modifications to traditional instruments and musical forms.

Korean folk music has been rarely included in the Western music curriculum due to limited materials for music teachers to use.

His musical output is especially noted for its versatility of different styles of music: some of his compositions are traditional and romantic in their style and tonal in their harmony, with a strong infl uence of Russian folk music which the composer actively employs in a number of his compositions, while other works follow innovative avant-garde trends and incorporate serialism, including serial rhythm, sonoristics, aleatory technique and a number of other techniques.

Keywords—Russian folk music; aerophone; idiophone; horn; jew's harp; vargan; khomuz; homuz.

The scholar focuses on the artist’s inherent synthesis of modern compositional writing and Ukrainian folk music tradition, emphasizing their subordination to the symphonic thinking of the master.

The article presents an analysis of the ethnographic collection Halytsko-ruski narodni melodii (Galician-Rus Folk Melodies), which contributed to the emergence of a new direction in Ukrainian folk music ethnographic research – comparative musicology.

Throughout the 70s, exiled artists of the New Chilean Song – in primis, the band Inti-Illimani– promoted a mass audience of Latin American folk music genres.

The relevance of the study is determined by the wide popularity of accordion in various genres and styles of American folk music, significant achievements of American accordionists in preserving and developing performing traditions in accordance with the ethnocultural specifics of a particular region of the country and presentation of creative achievements of famous American folk groups in the world music space, as well as by lack of the studies on this issue in the field of musicology in Ukraine.

Originality/valueThis paper provides details of, as well as insights into, the success of the eco-friendly and pro-environmental education practices engaged at select world and folk music festivals in Australia.

The article examines the terminology of folk/traditional music in the context of folk music festivals.

The scholar focuses on the artist’s inherent synthesis of modern compositional writing and Ukrainian folk music tradition, emphasizing their subordination to the symphonic thinking of the master.

Famous representatives of Uzbek composition Hoji Abdulaziz Rasulov, Tokhtasin Jalilov, Yunus Rajabiy, Imomjon Ikramov, Komiljon Jabborov, Fakhriddin Sodiqov, Saidjon Kalonov, Nabijon Hasanov, Komiljon Otaniyozov, Muhammadjon Mirzayev, Ganijon Toshmatov, Arif Kasimov, Gulomjon Hojikulov and other master composers relied mainly on folk music traditions.

The final result of this research is to classify Indonesian folk music genre and dangdut music genre along with the 83.

Throughout the 70s, exiled artists of the New Chilean Song – in primis, the band Inti-Illimani– promoted a mass audience of Latin American folk music genres.

It is vital to discover this factor; and this article explores about how these Kooththu songs are still in operation today as a popular form of folk music performance to describe a particular social professional life, beyond globalization trends, imposition and blends of colonization thinking.

Field recordings are integral documents of folk music performances captured in the field, and typically contain performances, intertwined with interviews and commentaries.

The Development Value of Olunchun Original Ecological Music Characteristic Course Local folk music culture curriculum is designed and developed by local colleges and universities according to the actual situation of local cultural resources to adapt to the development of students and promote the development of local society.

It also seems obvious to conclude that these ancient Hg associations strewed their musical “parent languages” during their migrations, and the correlating UCTs of these musical parent languages may also be basic components of the recent folk music cultures.

Fourth-graders, answering the following questions: what dynamics prevail in the play; whether a low voice that maintains the same tone sounds and for which Bulgarian folk instrument this is distinctive; in which folk musical instrument the initial tone of the melody is reached with a slight "sliding" in an upward direction; have to guess which Bulgarian folk music instrument is imitated.

The use of folk music instruments, cultural references and motifs, we argue, acts to legitimise the band’s use of this imaginary.