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Folk Dance sentence examples within Traditional Folk Dance



РИТУАЛЬНО-ТАНЦЕВАЛЬНЫЕ ЭЛЕМЕНТЫ В АЗЕРБАЙДЖАНСКОМ ЭПОСЕ И В НАХЧЫВАНСКОМ ОБРЯДОВОМ ФОЛЬКЛОРЕ



Principal aportación de Juan José Linares Martiañez a la danza tradicional popular


Folk Dance sentence examples within Chinese Folk Dance



How Teacher Can Develop Children’s Creativity through Facilitating Possibility Thinking in Chinese Folk Dance Classroom



A Study on the Reconstruction of Chinese Folk Dance Culture’s Education Path in Colleges Based on Information Technology


Folk Dance sentence examples within Professional Folk Dance



Relationship of Patellofemoral Angles and Tibiofemoral Rotational Angles With Jumper’s Knee in Professional Dancers: An MRI Analysis



Relationship of Popliteus Sulcus Depth and Tibiofemoral Rotational Alignment with Popliteus Tendinitis in Professional Folk Dancers Exposed to Turnout Positions: An MRI Analysis.



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Folk Dance sentence examples within Philippine Folk Dance



Filipino Festivals in Southern California



Movement Analysis of Philippine Folk Dance Itik-itik


Folk Dance sentence examples within folk dance ensemble



ТВОРЧІСТЬ ВИКЛАДАЧІВ-ХОРЕОГРАФІВ ТЕРЕБОВЛЯНСЬКОГО КУЛЬТОСВІТНЬОГО УЧИЛИЩА АНАТОЛІЯ ТА ОЛЕКСАНДРИ ПОЛІЩУКІВ



FOLKLORE, DANCE IN THE CONTEXT OF MODELING IDEOLOGICAL MESSAGES


Folk Dance sentence examples within folk dance group



Long live Peru! Dancing national identity in a hostile context in the U.S.



Evaluating Dancers’ Participation Motives: The Use of the Greek Version of the BRSQ


Folk Dance sentence examples within folk dance culture



UKRAINIAN DANCE CULTURE IN GEOGRAPHICAL AND ETHNOLOGICAL CONCERN ETHNOCHOREOGRAPHIC FRONTS



The Line Dance Movement and Folk Dance Culture Evolution Model Based on Ultra-Gradient Fuzzy Rules


Folk Dance sentence examples within folk dance politic



Az autentikusság paradoxona



The Paradox of Authenticity


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10.30918/AERJ.9S1.20.009

Examining of the attitude of students of Firat University, Faculty of Sports Sciences, Recreation Department towards folk dance


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10.5897/JMD2020.0082

Examining The book: How perception, power, and practice altered memory of Irish Ceili dances


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10.53333/ijicc2013/15872

The Dolalak Dance of Purworejo Regency Central Java: A Changing Performance as Entertainment


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10.1177/2325967120985229

Relationship of Patellofemoral Angles and Tibiofemoral Rotational Angles With Jumper’s Knee in Professional Dancers: An MRI Analysis


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10.20323/1813-145X-2021-1-118-189-194

Folk dance: the problem of definition, demarcation and historical transformation


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10.37547/TAJSSEI/VOLUME03ISSUE01-73

Folk Games As A Means Of Personal Formation In The Ancient System Of Education


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10.26677/TR1010.2021.678

Somut Olmayan Kültürel Miras Unsuru Olarak Pamukçu Beldesi Oyunları


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10.30564/RET.V4I2.3043

How Teacher Can Develop Children’s Creativity through Facilitating Possibility Thinking in Chinese Folk Dance Classroom



Analysis of Key Competencies and Curriculum Expertise of Korean Dance Programs to Assist in Their Long-Term Sustainability


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10.46819/TN.2.1.148-152

Az autentikusság paradoxona


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10.26577/jh.2021.v101.i2.03

Research on the social function of Kazakh Folk Dance in the process of spatial transformation (On the basis of Dachaigu village of Barkol Kazakh Autonomous District)


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10.0001/IJLLIS.V10I2.2172

COMPARATIVE ETHNOCHOREOGRAPHIC ASPECTS


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10.1109/TCS52929.2021.00028

A Study on the Reconstruction of Chinese Folk Dance Culture’s Education Path in Colleges Based on Information Technology


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10.25587/I3999-9892-0597-U

РИТУАЛЬНО-ТАНЦЕВАЛЬНЫЕ ЭЛЕМЕНТЫ В АЗЕРБАЙДЖАНСКОМ ЭПОСЕ И В НАХЧЫВАНСКОМ ОБРЯДОВОМ ФОЛЬКЛОРЕ


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10.47689/2181-1415-vol2-iss4-pp136-140

Uzbek dance as a subject in the system of higher choreographic education


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10.1093/acrefore/9780199329175.013.910

Filipino Festivals in Southern California


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10.23977/JFER.2021.010214

Analysis on the Teaching Reform of National Folk Dance in Colleges and Universities


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10.31618/ASJ.2707-9864.2021.1.47.82

CONNECTION BETWEEN DANCE PLASTICS AND RELIGION


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10.21831/IMAJI.V18I2.39159

PENCIPTAAN TARI “WONG IRENG” GAGASAN KREATIF DARI DONGENG RAKYAT



Co-Option and Erasure


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10.24115/S2446-622020217EXTRA-D1141P.582-592

Peculiarities of personality formation and creative education of children through folk dance


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10.46819/TN.2.1.153-157

The Paradox of Authenticity



APPLICATION OF AZERBAIJANI FOLK DANCE IN KHOREOGRAPHICAL COMPOSITION


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10.32734/IJCAS.V5I1.4577

Cultural Identity and Aesthetics in Indian Folk Dance Thidambu Nritham: A Performance Outlook


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10.37506/ijpot.v15i4.16520

Relationship between Core Strength, Core Endurance and Balance in Folk Dancers – A Pilot Study


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10.3390/app11188789

Static Balancing Ability and Lower Body Kinematics Examination of Hungarian Folk Dancers: A Pilot Study Investigating the “Kalocsai Mars” Dance Sequence


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10.1109/ACCESS.2021.3060103

The Method of Dance Movement Segmentation and Labanotation Generation Based on Rhythm


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10.37384/APLKP.2021.26-2.094

Tautas deju definēšanas problemātika mūsdienās Latvijā


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10.31947/etnosia.v6i2.14713

Performing Toraja rice ritual, communicating biodiversity on YouTube: A study of conservation on rice landrace


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10.37441/CEJER/2021/3/1/9346

Elementary Art School of Folk Dance and Music in the Context of Regional Culture-Oriented Schools in Slovakia


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10.15167/2421-4248/jpmh2021.62.2.1929

Reach, accessibility and acceptance of different communication channels for health promotion: a community-based analysis in Odisha, India


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10.46819/TN.2.1.73-89

Impact Assessment of a Methodological Program in Dance in Hungarian Public Education


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10.1057/s41276-021-00282-y

Long live Peru! Dancing national identity in a hostile context in the U.S.


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10.14748/ISUVSME.V25I1.7187

Defining and developing Delphi techniques in integrative public health research


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10.17107/kh.2021.22.191-210

Dance as a Remedy of Lifestyle Medicine, a Cultural-psychophysiological Approach


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10.37384/APLKP.2021.26-1.296

Horeogrāfija vai scenogrāfija? Dejotāju koris Latvijas Nacionālā teātra iestudējumā „Pūt, vējiņi!”


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10.31435/rsglobal_ijitss/30062021/7597

UKRAINIAN DANCE CULTURE IN GEOGRAPHICAL AND ETHNOLOGICAL CONCERN ETHNOCHOREOGRAPHIC FRONTS


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10.21474/IJAR01/12350

STUDENTS AWARENESS AND PERFORMANCE INPHILIPPINE FOLK DANCES


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10.1016/j.micpro.2020.103743

Target detection algorithm for dance moving images based on sensor and motion capture data


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10.30564/jhp.v3i1.2667

Maintaining the Health of Professional Folk Dancers in Conditions of Physical Recreation


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10.1007/s10465-021-09348-9

Marian Chace Foundation Lecture 2020 Trauma-Informed Dance Movement Therapy: Real Life Trainings with Syrian Refugees, China and US COVID-19 Hotline


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10.22190/FUPES200609060S

PHYSICAL EDUCATION AND MUSIC EDUCATION IN THE CONTEXT OF THE POSSIBILITY OF USING THE INTEGRATED LEARNING APPROACH AS A REFLECTION OF MODERN SOCIETY


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10.32461/2226-2180.39.2021.238691

ТВОРЧІСТЬ ВИКЛАДАЧІВ-ХОРЕОГРАФІВ ТЕРЕБОВЛЯНСЬКОГО КУЛЬТОСВІТНЬОГО УЧИЛИЩА АНАТОЛІЯ ТА ОЛЕКСАНДРИ ПОЛІЩУКІВ


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10.46819/TN.2.1.55-72

Egy táncművészeti módszertani program bevezetésének vizsgálata a közoktatásban


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10.46480/ESJ.5.1.104

La danza folclórica en el proceso de aprendizaje en los estu-diantes de educación básica


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10.2991/ICADE-18.2019.9

Educational Value Within Lampung’s Hadrah Dance


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10.25587//SVFU.2019.16.44324

КУЛЬТУРНАЯ ИНФОРМАЦИЯ В ГЕРОИЧЕСКОМ ЭПОСЕ ОЛОНХО «НЮРГУН БООТУР СТРЕМИТЕЛЬНЫЙ»


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10.2979/jewisocistud.25.1.04

Gesture, Repertoire, and Emotion: Yiddish Dance Practice in German and Yiddish Literature


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10.15561/20755279.2019.0506

Analysis on the effects of folk dance training on players’ spatial expectation levels


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10.21476/pp.2019.51269

Choreographies of Dissent and the Politics of Public Space in State-of-Emergency Turkey


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10.1145/3359996.3364752

A Mobile Augmented Reality Interface for Teaching Folk Dances


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10.25145/J.PASOS.2019.17.032

XXIII Feria Nacional de la Cultural Rural, Chapingo (México) 2018


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10.2991/ECSS-19.2019.44

Research on the Inheritance Method of Minority Music and Dance Art based on Motion Capture Technology


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10.4236/OALIB.1105645

Research on How to Strengthen College Students’ Mastering of Skill Elements of Line Dance


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10.2991/icaessr-19.2019.26

On the Inheritance and Development of Tujia Maogusi


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10.2991/iconarc-18.2019.70

Conservation of Folk Dance in the Era of Cultural Tourism


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10.5430/IJHE.V8N1P19

The Effect of Various Local Dances on Prospective Physical Education Teachers’ Attitudes towards the Folk Dance Course


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10.31435/rsglobal_sr/30122019/6864

НАРОДНА ХОРЕОГРАФІЧНА КУЛЬТУРА ЗАХІДНОГО ПОДІЛЛЯ: ПРОБЛЕМА РЕКОНСТРУКЦІЇ ТАНЦЮВАЛЬНОЇ ТРАДИЦІЇ


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10.21091/mppa.2019.3024

Relationship of Popliteus Sulcus Depth and Tibiofemoral Rotational Alignment with Popliteus Tendinitis in Professional Folk Dancers Exposed to Turnout Positions: An MRI Analysis.


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10.1360/N112018-00204

Research on automatic generation of Labanotation for national dynamic art digitalization


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10.31722/ejmd.668379

New Approaches to Dance; Contemporary Dance Choreography with Zeybek Dance Movement Semiotics


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10.32461/2226-3209.2.2019.177707

Historical and cultural prerequisites for the creation of a state ensemble dance of Ukraine as a form of representation of national art of folk choreography


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10.2991/icemse-19.2019.16

Analysis of Characteristic Between-class Exercise Choreography in Primary School under the Background of Tibetan Dance Inheritance in Ganzi —A Case Study of Characteristic Between-class Exercise of Boarding Primary School in Guza District



Deconstructing the Past in Indonesian Contemporary Dance


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10.13075/ijomeh.1896.01398

Traumatic knee injury patterns in Anatolian folk dancers: a case series and literature review.


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10.15181/RH.V24I0.1921

FOLKLORE, DANCE IN THE CONTEXT OF MODELING IDEOLOGICAL MESSAGES


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10.18231/j.jsip.2019.002

The effect of Garba dance of Gujarat on fitness components of young adult females


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10.34293/SIJASH.V7I1.485

Dance form of Karagattam - The Regional Folk Dance in Tamil Nadu



Movement Analysis of Philippine Folk Dance Itik-itik


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10.26773/SMJ.190204

Evaluating Dancers’ Participation Motives: The Use of the Greek Version of the BRSQ


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10.1109/VS-Games.2019.8864604

Comparison of Trajectories and Quaternions of Folk Dance Movements Using Dynamic Time Warping


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10.33906/MUSICOLOGIST.563206

Transnationality, Transculturality and Ethnicity: A Look at Balkan Fest, San Diego, California


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10.31866/2616-7646.2.2.2019.188814

Віртуозність в ансамблях народного танцю України радянської доби


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10.1387/ausart.20653

Principal aportación de Juan José Linares Martiañez a la danza tradicional popular


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10.6007/ijarped/v8-i4/6559

Learning Strategies Based on the Approach of Modelling by the Coach in Internalization Process of Wau Bulan Folk Dance


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10.2197/ipsjjip.27.378

Development of a Cartogram Construction Method for Visualizing Japanese Folk Dance Distribution


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10.1109/ICVRIS.2019.00085

The Line Dance Movement and Folk Dance Culture Evolution Model Based on Ultra-Gradient Fuzzy Rules


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10.21831/IMAJI.V17I1.25727

ULASAN SINGKAT MENGENAI “CHAMARREO”—TARIAN RAKYAT DARI MEXICO


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10.1117/1.JEI.28.2.023026

Skeleton-based automatic generation of Labanotation with neural networks


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10.1016/j.humov.2018.12.005

Multi-person and multisensory synchronization during group dancing.


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10.24919/2308-4634.2019.182372

СТАНОВЛЕННЯ УКРАЇНСЬКИХ ХОРЕОГРАФІЧНИХ ШКІЛ У КОНТЕКСТІ РОЗВИТКУ ЄВРОПЕЙСЬКОЇ ХУДОЖНЬОЇ КУЛЬТУРИ ПОЧАТКУ ХХ СТ.



Movement Analysis of Philippine Folk Dance Tinikling


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10.1007/978-3-030-18083-6_3

The Performing Body of Navratri: Dancing Dandiya, Dressing to Impress


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10.1080/01472526.2018.1563468

Performing Garba (The Clap Dance): Choreographic and Commercial Changes


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