Introduction to Folk Art

This paper starts with the analysis of the influence of traditional folk art in modern environmental art design, then elaborates the relationship between modern environmental art design and traditional folk art, and finally analyzes the specific application of traditional folk art in modern environmental art, including the application of color elements in modern environmental art, the application of regional elements in modern environmental art, the application of symbolic elements in modern environmental art and plastic elements in modern environmental art.

During the period of the colonization of the Kazakh steppe by the Russian Empire, people of different professions who came here for different purposes and worked in the civil service began to pay attention not only to the registration of land wealth, but also to the study of samples of oral folk art.

It defined the various utilitarian, magical functions performed by canvas (hemp) and linen fabrics of traditional Mordovian clothing in the culture of the people, the economic, moral meanings of the fabric used in oral folk art.

Kang Wei painting is a form of traditional folk art, and very popular with villagers in the rural areas of Northern Shanxi Province.

The goal of this article consists in the attempt to create a “comparative biography" of the artists of various lacquer crafts, as well as demonstrate fruitful work of the miniaturist-innovator in different fields of art that are not a part of the traditional folk art.

The author of the research concludes that the text application is actively used in modern Ukrainian poetry as a marker of intertextual interaction and an actualizer of precedent texts of religious content, various genres of Ukrainian folk art, as well as Ukrainian and world literature.

Therefore, the Ukrainian folk art has a significant potential and is a source of ideas in creating modern clothing as well as interior items.

As a traditional Chinese folk art, Yangliuqing Woodcut New Year (YWNY) paintings with unique artistic symbols and rich artistic values have formed varied artistic styles since century.

Allegro art is a kind of performance form art in Chinese folk art, which is like saying and singing.

In order to explore ways to protect and inherit folk art and culture, This article mainly uses the mathematical model established by the principal component analysis method and the multiple regression method to analyze the current folk arts such as the lack of professional talents and other problems faced by the current folk arts.

In the past, the apprenticeship system was used to inherit folk art.

The Leizhou Peninsula in China is very famous for its unique folk art creation, especially for the stonework, like the basalt sculptures of the Leizhou Stone Dogs, which have a history of more than two thousand years.

Sintren is a unique folk art of Pekalongan performed by a regional arts group called Kudo Bekso Utomo from Pringsurat village, Kajen sub-district, Pekalongan on June 23rd, 2018 during the Syawalan festivals in Linggo Asri village, Pekalongan, Central Java, Indonesia.

For the masters of modern art of Kazakhstan, along with the importance of samples of classical culture and discoveries of modernist art, Kazakh folk art is becoming a single field of tradition today.

Semantization and structuring of ornamental forms and compositions in Kazakh folk art is the result of a long historical development and spiritual experience of the nomadic people.

In her work, Ryggen combines a modernist visual language with folk art traditions and contemporaneous images of war and corruptions; she uses the traditional craft of weaving to create a radical response to the chaos and violence of modernity.

During the period of the Samanids, literary literature, first in Arabic and later in the 10th century, lyrical and epic poetry in the Persian language, based on folk art traditions, developed.

The folk art forms of northeast of China are rich and varied.

It is a traditional folk art form created by working people to satisfy their spiritual and material pursuits.

Folk art crafts of Russia as a phenomenon of traditional culture are an informational and valuable resource for the development of culture, so it is vitally important to include the heritage of folk-art crafts in the current culture as a source of instrumental basis for constructing social memory, which is possible only based on cultural understanding of crafts as an object of heritage.

The article analyzes the course and results of an experiment that was conducted at the Department of Folk Art Crafts of the Moscow State Regional University in 2020.

Folk art resources are worth learning from in art teaching, and it is necessary to combine art teaching in colleges and universities with folk art resources to create a second creation of folk art resources.

Sorting out the resources of Shaanxi traditional culture and the induction taking folk art resources as an example 2.

The purpose of the article is to consider the causes of the crisis of authenticity of Ukrainian folk art culture in postmodernism and to reveal the features of soft-traditionalism as a strategy of actualization of folk tradition in the postmodern parameters of the chronotope.

The data of a sociological survey conducted before and after studying the discipline "Theory and methodology of ethno-cultural education" among students of the training direction "Folk Art Culture" of the Chuvash State Institute of Culture and Arts are presented in the article.